After his third wife Pilar Wayne left him in 1973, Wayne was happily involved with his secretary Pat Stacy for the remaining six years of his life.
Cited as America's Favorite Movie Star in a Harris Poll conducted in 1995.
In his films Wayne often surrounded himself with a group of friends/fellow actors (often unknown names but recognized faces), such as Ward Bond, Jim Hutton, Bruce Cabot, Ben Johnson, Edward Faulkner, Jay C. Flippen, Richard Boone, Chuck Roberson and his son, Patrick Wayne.
Directed most of The Comancheros (1961) because credited director Michael Curtiz was dying of cancer and was often too ill to work. Wayne refused to be credited as a co-director.
Gave the eulogy at the funerals of Ward Bond, John Ford and Howard Hawks.
Had plastic surgery to remove the lines around his eyes in 1969, which left him with black eyes and forced him to wear dark glasses for two weeks. He also had surgery to remove the jowls around his mouth.
Worked with Robert Mitchum's youngest son Christopher Mitchum in three films, Chisum (1970), Rio Lobo (1970) and Big Jake (1971). Wayne had intended on Christopher becoming part of his regular stock company of supporting actors, but fell out with him in 1973 in an argument over politics. Wayne told him, "I didn't know you was a pinko.".
Some of his films during the mid-1950s were less successful, forcing Wayne to work with pop singers in order to attract young audiences. He acted alongside Ricky Nelson in Rio Bravo (1959), Frankie Avalon in The Alamo (1960) and ...
Fabian in North to Alaska (1960).
Wayne was buried in secret and the grave went unmarked until 1999, in case Vietnam War protesters desecrated the site. Twenty years after his death he finally received a headstone made of bronze which was engraved with a quotation from his infamous Playboy interview.
Wayne nearly got into a fight with British film critic Barry Norman on two occasions, both times over politics. In November 1963, on the set of Circus World (1964), the two had a serious argument over Barry Goldwater's presidential campaign. Nearly six years later, while Wayne was promoting True Grit (1969), the two nearly came to blows on a train over the Vietnam War. Despite this, Norman wrote favorably of Wayne as an actor in his book "The Hollywood Greats" (1986).
Listed in the 1910 U.S. Census as Marion R. Morrison, living with his parents in Madison, Iowa.
In 1920, lived at 404 N. Isabel Street, Glendale, California, according to U.S. Census.
While filming True Grit (1969), Wayne was trying to keep his weight off with drugs - uppers for the day, downers to sleep at night. Occasionally, he got the pills mixed up, and this led to problems on a "The Dean Martin Comedy Hour" (1965) taping in 1969. Instead of taking an upper before leaving for the filming, he took a downer - and was ready to crash by the time he arrived on the set. "I can't do our skit," Wayne reportedly told Martin when it was time to perform. "I'm too doped up. Goddamn, I look half smashed!" Naturally, Martin didn't have a problem with that. "Hell, Duke, people think I do the show that way all the time!" The taping went on as scheduled.
Although he actively supported Ronald Reagan's failed bid for the Republican presidential nomination in 1976, Wayne paid a visit to the White House as a guest of President Jimmy Carter for his inauguration. "I'm pleased to be present and accounted for in this capital of freedom to witness history as it happens - to watch a common man accept the uncommon responsibility he won 'fair and square' by stating his case to the American people - not by bloodshed, be-headings, and riots at the palace gates. I know I'm a member of the loyal opposition - accent on the loyal. I'd have it no other way.".
Pilar Wayne wrote in her book "My Life with The Duke": "Duke always said family came first, career second, and his interest in politics third. In fact, although he loved the children and me, there were times when we couldn't compete with his career or his devotion to the Republican Party.".
After Ronald Reagan's election as Governor of California in 1966, Wayne was exiting a victory celebration when he was asked by police not to leave the building - a mob of 300 angry anti-war demonstrators were waiting outside. Instead of cowering indoors, Wayne confronted the demonstrators head on. When protesters waved the Viet Cong flag under his nose, Wayne grew impatient. "Please don't do that fellows," Duke warned the assembled. "I've seen too many kids your age wounded or dead because of that flag. So I don't take too kindly to it." The demonstrators persisted, so he chased a group of them down an alley.
In 1975, for the first time since his arrival in Hollywood 47 years earlier, he did not act in any movies. Production began in January of the following year for his last, The Shootist (1976).
In 1967 Wayne wrote to Democratic President Lyndon Johnson requesting military assistance for his pro-war film about Vietnam. Jack Valenti told the President, "Wayne's politics are wrong, but if he makes this film he will be helping us." Wayne got enough firepower to make The Green Berets (1968), which became one of the most controversial movies of all time.
In 1960 Frank Sinatra hired a blacklisted screenwriter, Albert Maltz, to write an anti-war screenplay for a film called The Execution of Private Slovik (1974) (TV). Wayne, who had actively supported the McCarthy witch hunts for nearly twenty years, recalled, "When I heard about it, I was so goddamn mad I told a reporter, 'I wonder how Sinatra's crony, Senator John F. Kennedy, feels about Sinatra hiring such a man.' The whole thing became a minefield ... I heard that Kennedy put pressure on Frank and he had to back down ... He ended up paying Maltz $75,000 not to write the goddamn thing.". Consequently the film was not made for fourteen years.
Campaigned for Sam Yorty in the 1969 election for Mayor of Los Angeles.
His great-nephew Tommy Morrison was diagnosed with HIV in 1996.
Announced his intention to campaign for Senator Barry Goldwater in the 1964 presidential election after Goldwater had voted against the Civil Rights Act. However, Wayne was unable to do so when he was diagnosed with lung cancer in August of that year, and forced to undergo major surgery in the next month.
Directed most of Big Jake (1971) himself because director George Sherman, an old friend from Wayne's days at Republic, was in his mid-60s and ill at the time, and not up to the rigors of directing an action picture in the wilds of Mexico, where much of the film was shot. Wayne refused to take co-director credit.
His TV appearances in the late 1960s showed that Wayne had overcome his indifference to television. In addition to appearing on "The Dean Martin Comedy Hour" (1965), "The Glen Campbell Goodtime Hour" (1969), he became a semi-regular visitor to "Rowan & Martin's Laugh-In" (1967), often good-naturedly spoofing his macho image and even dressing up as The Easter Bunny in a famous 1972 episode.
Eventually the line between his personal views and his screen image blurred beyond recognition. His active membership in right-wing political organizations like the Motion Picture Alliance for the Preservation of American Ideals allowed him to use his celebrity to further causes he deemed worthy. In the 1950s he joined Walt Disney, Clark Gable, James Stewart and other entertainers to aid the House Un-American Activities Committee in ferreting out alleged Communists working in the film industry. He began hand- picking roles and financing the production of certain films, like Big Jim McLain (1952), which fit his strong anti-Communist political beliefs. These "message films" would often cost him, both personally and professionally; he lost a small fortune on the Vietnam War film The Green Berets (1968), allowing an errant sense of patriotism to oversimplify the story of soldiers conducting covert military actions in Southeast Asia. As television images exposed the horrors of battle to Americans, the film's romantic portrait of "gung-ho" optimism was often cited as an example of how completely out of touch Wayne and many of his conservative colleagues were with the complexities of the conflict.
After he finally won the Best Actor Oscar for True Grit (1969) his career declined. Chisum (1970), seemingly having little to do with Wayne, was released to mixed reviews and moderate business. Rio Lobo (1970) received very poor critical reception and proved to be a commercial disappointment. Big Jake (1971), pumped up with graphic action scenes and plenty of humor, made twice as much money as either of the previous two films. However, The Cowboys (1972) struggled to find an audience when first released, despite the fact that it received positive reviews and featured a very different performance from Wayne as an aging cattleman. The Train Robbers (1973) was largely forgettable and Cahill U.S. Marshal (1973) garnered him his worst reviews since The Conqueror (1956). His attempts to emulate Clint Eastwood as a tough detective were generally ridiculed due to his age, increasing weight and the predictable nature of the plots. McQ (1974) was only a moderate success and Brannigan (1975), although it was a better picture, made even less money. A sequel to True Grit (1969) titled Rooster Cogburn (1975), co-starring Katharine Hepburn, was critically reviled, but managed to be a minor hit. For the first time Wayne gave serious thought to retirement; however, he was able to make one final movie, a stark story of a gunfighter dying of cancer called The Shootist (1976) which, although Wayne received some of the best reviews of his career, struggled to get its money back.
Wayne did not serve during World War II. The knee injuries he received in College kept him from running the distances required by Military Standards.
Was a member of the far-right-wing John Birch Society.
Campaigned for Gerald Ford in the 1976 presidential election.
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