His performance as Ethan Edwards in The Searchers (1956) is ranked #23 on Premiere Magazine's 100 Greatest Movie Characters of All Time.
After seeing Wayne's performance in Red River (1948), directed by rival director Howard Hawks, John Ford is quoted as saying, "I never knew the big son of a bitch could act."
During his right-wing political speeches in the late 1960s and early 1970s, students opposed to his political stances would often walk out of or boycott university film classes that screened his films.
Returned to Harvard in January 1974, at the height of his political activism, for a celebrity roast of himself. During the ceremony, the head said, "We're not here to make fun or you, we're here to hurt your feelings." Later, Wayne said jokingly, "You know, I accepted this invitation over a wonderful invitation to a Jane Fonda rally."
Wore a toupee in every film from Wake of the Red Witch (1948) onwards. For some scenes towards the end of The Wings of Eagles (1957) he left it off in order to play his character in later life. Wayne's hairpiece can be seen to....
fall off during a fight scene in North to Alaska (1960).
Following his retirement from making movies in 1976, Wayne received thousands of letters from fans who accused him of selling out by advertising insurance in television commercials. Wayne responded that the six-figure sum he was offered to star in the advertisements was too good to refuse.
It was no surprise that Wayne would become such an enduring icon. By the early 1970s, his contemporaries Humphrey Bogart, Tyrone Power, Errol Flynn, Clark Gable, Spencer Tracy, and Gary Cooper were already dead. James Cagney and Cary Grant both retired from acting at 62. The careers of other stars declined considerably - both Henry Fonda and James Stewart ended up working on television series which were canceled on them. Wayne however continued to star in movies until 1976, remaining one of the top ten stars at the US box office until 1974.
The fact that all three of his wives were Latin American surprised Hollywood; this was the only "non-American" aspect in his life. "I have never been conscious of going for any particular type," Wayne said in response to a challenge from the press, "it's just a happenstance."
Wayne's westerns were full of action but usually not excessively violent. "Fights with too much violence are dull," claimed Wayne, insisting that the straight-shooting, two-fisted violence in his movies have been "sort of tongue-in-cheek." He described the violence in his films as "lusty and a little humorous," based on his belief that "humor nullifies violence." His conservative taste deplored the increasing latitude given to violence and sex in Hollywood. In the 1960s he launched a campaign against what he termed "Hollywood's bloodstream polluted with perversion and immoral and amoral nuances." Most of his westerns steered clear of graphic violence.
Wayne tried not to make films that exploited sex or violence, deploring the vulgarity and violence in Rosemary's Baby (1968), which he saw and did not like, and A Clockwork Orange (1971) or Last Tango in Paris (1972) which he had no desire to see. He thought Deep Throat (1972) was repulsive - "after all, it's pretty hard to take your daughter to see it." And he refused to believe that Love Story (1970) "sold because the girl went around saying 'shit' all the way through it." Rather, "the American public wanted to see a little romantic story." He took a strong stance against nudity: "No one in any of my pictures will ever be served drinks by a girl with no top to her dress." It was not sex per se he was against. "Don't get me wrong. As far as a man and a woman are concerned, I'm awfully happy there's a thing called sex," he said, "It's an extra something God gave us, but no picture should feature the word in an unclear manner." He therefore saw "no reason why it shouldn't be in pictures," but it had to be "healthy, lusty sex."
During a visit to London in January 1974 to appear on "The Glen Campbell Goodtime Hour" (1969) and "Parkinson" (1971), Wayne caught pneumonia. For a 66-year-old man with one lung this was very serious, and eventually he was coughing so hard that he damaged a valve in his heart. This problem went undetected until March 1978, when he underwent emergency open heart surgery in Boston. Bob Hope delivered a message from the The 50th Annual Academy Awards (1978) (TV), saying, "We want you to know Duke, we miss you tonight. We expect you to amble out here in person next year, because there is nobody who can fill John Wayne's boots." According to Loretta Young, that message from Hope made Wayne determined to live long enough to attend the Oscars in 1979.
On Friday, January 12th, 1979, Wayne entered hospital for gall bladder surgery, which turned in a nine and a half hour operation when doctors discovered cancer in his stomach. His entire stomach was removed. On May 2nd, Wayne returned to the hospital, where the cancer was found to have spread to his intestines. He was taken to the 9th floor of the UCLA Medical Center, where President Jimmy Carter visited him, and Queen Elizabeth II sent him a get well card. He went into a coma on Sunday, June 10th, 1979, and died at 5:35 P.M., in the late afternoon the next day, Monday, June 11th, 1979.
Although it has often been written that Wayne was dying of cancer when he made The Shootist (1976), his final film, this is not actually true. Following the removal of his entire left lung in 1964, he was cancer-free for the next 12 years. It wasn't until Christmas 1978 that he fell seriously ill again, and in January of the following year the cancer was found to have returned.
Recorded an advertisement for Camel cigarettes on the set of Big Jim McLain (1952).
Ranked in the top four box office stars, as ranked by Quigley Publications' annual poll of the Top Ten Money Making Stars, an astounding 19 times from 1949 to 1972. (Only Clint Eastwood, with 21 appearances in the Top 10 to the Duke's 25, has been in the Top 10, let alone the top four, more times.) He made the top three a dozen times, the top two nine times, and was the #1 box office champ four times (1950, '51, '54 and 1971).
Was named the #1 box office star in North America by Quigley Publications, which has published its annual Top 10 Poll of Money-Making Stars since 1932. In all, the Duke was named to Quigley Publications' annual Top 10 Poll a record 25 times. (Clint Eastwood, with 25 appearances in the Top 10, is #2, and Wayne's contemporary Gary Cooper, with 18 appearances, is tied for #3 with Tom Cruise.) Wayne had the longest ride on the list, first appearing on it in 1949 and making it every year but one (1958) through 1974. In four of those years he was No. 1.
In a 1960 interview Wayne criticized the homosexual themes of Suddenly, Last Summer (1959) and They Came to Cordura (1959).
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